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Poked and Stroked

from The Next Lesson by Sleet

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Goddard starts it with an homage to Barney Miller, joyfully established by Juan William Chavez on percussion, then picked up by Bill, and Goddard fools around with structure. It undergoes a guitar imprint, and the bass improvises, when the weather suddenly changes, and Sleet pops it up into an upward beat. When the guitar comes back in it gets a current of frenzy frothing away, always surrounded by percussion variations.
Keyboards pop in the mix with little four note songs. The bass bounds back up, and settles on an uplifting riff. Sleet begins demanding a rough count, then shifts into a shuffle, and signs off while the rest of us finish up whatever we were thinking of doing, and floats into a low, slow beat, as the keys tinkle away.
9m it reaches an apex, then Sleet steps up, changes up, Goddard goes down to one simple slide, Chavez flies, and weird guitar synth gurgles along the bottom. A lingering tip tap echoes the last chord to fade.

lyrics

Goddard starts it with an homage to Barney Miller, joyfully established by Juan William Chavez on percussion, then picked up by Bill, and Goddard fools around with structure. It undergoes a guitar imprint, and the bass improvises, when the weather suddenly changes, and Sleet pops it up into an upward beat. When the guitar comes back in it gets a current of frenzy frothing away, always surrounded by percussion variations.

Keyboards pop in the mix with little four note songs. The bass bounds back up, and settles on an uplifting riff. Sleet begins demanding a rough count, then shifts into a shuffle, and signs off while the rest of us finish up whatever we were thinking of doing, and floats into a low, slow beat, as the keys tinkle away.

9m it reaches an apex, then Sleet steps up, changes up, Goddard goes down to one simple slide, Chavez flies, and weird guitar synth gurgles along the bottom. A lingering tip tap echoes the last chord to fade.

credits

from The Next Lesson, released March 3, 2018

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